We Photographed A Mural That Still Doesn’t Exist

We Went In To Talk Retainer. We Left With Camayah Credits
August 18, 2026

We Photographed A Mural That Still Doesn’t Exist

We photographed a mural that still doesn’t exist.

It was on the wall at Gallery 344 the whole night, a printed rendering of what would go down on the court at Gold Star Mothers Park once construction wrapped. A glowing gold star at center court. Constellations stretched from corner to corner. Laurel framing the sidelines, echoing the wreath from the Gold Star Mothers emblem itself. Michael Talbot, the Boston muralist behind it, called the piece Realizing Your(e) Gold, and it was the centerpiece of Conversations With Time, his exhibition at Cambridge Arts’ Gallery 344.

Cambridge Arts hired us to photograph the show and sit down with Michael for an interview. Walking in, we had no idea the mural on that wall wasn’t going anywhere anytime soon.

Michael Talbot sits for a portrait inside Gallery 344 ahead of his Conversations With Time opening

Before the doors opened, we did a personal portrait of Michael, just him, before the room filled with people. That was the first time meeting him in person. My brother Davel ran the video, I had the stills, and together we caught the interview once we sat him down.

He wrote something in the exhibit’s guestbook before anyone else had walked in, the kind of small quiet moment you only catch if you’re already in the room early.

Michael Talbot writes in the exhibit's guestbook at Conversations With Time

We never sat Michael down. The interview happened on our feet, moving with him from the entry pieces to the exit, him talking the whole way. He introduced us to the room and then took us through it in order, piece by piece, giving us the depth and the meaning behind each one. Hidden messages we would have walked right past on our own.

That’s the video above. Not a subject answering questions in a chair, an artist walking his own show and explaining it as he goes.

A vintage pocket watch, one of the recurring time pieces displayed throughout Conversations With Time

The clearest one for me was the watches. Old pocket watches on chains, one circular clock, worked into the pieces throughout the room. Every one of them tied back to the same question the whole show was built around, what would you say to time if you actually got the chance.

Michael Talbot's reflection framed in a gallery mirror at Conversations With Time

Walk past a mirror during a show about time and you catch yourself in it before you catch the art. Even the interactive pieces carried the theme through, Michael sat down at the exhibit’s own letter station at one point and wrote a note the same way he was asking every visitor to.

Exhibit signage explaining Realizing Your(e) Gold, Michael Talbot's mural design for Gold Star Mothers Park, currently on hold due to soil contamination

Toward the end of the walkthrough, Michael stopped at the mural design. He talked us through the Gold Star Mothers history behind it, the blue star that families displayed for a service member overseas, replaced with a gold one if that person didn’t come home. The 1928 founding of Gold Star Mothers Inc. The laurel and the constellation lines, meant to turn an ordinary basketball court into something people would actually walk through instead of just past. That night, it read like something almost finished. A design waiting on a court.

It’s still waiting. Routine soil testing at the park turned up lead and other contaminants in August 2025, the same year Michael designed the piece, and the city closed the whole park while it works out a remediation plan. Nobody knows yet when the court reopens, which means nobody knows yet when Realizing Your(e) Gold actually goes on the ground. We photographed the version of it that exists right now, printed and framed on a gallery wall, waiting on dirt to get cleared before it can become what it was actually designed to be.

Most of what we shoot already exists before we get there, the building, the mural, the finished piece. This one is still just a design and a city report. We got there before the mural did.

Michael’s mural will eventually go on that court. When the soil gets cleared and the park reopens, somebody should be there to document it going down, the same way we were there for the design hanging on a wall. That’s the part most people miss about this kind of work. The finished piece gets photographed by everyone. The years of waiting in between usually don’t get photographed by anyone.

That’s most of what we do now, ongoing documentation for the organizations building things in Cambridge rather than one shoot at a time. If you want to see how that plays out across a longer relationship, our work with Cambridge Community Center started with a single event and hasn’t stopped. And if you’re weighing whether your own project needs photos, video, or both, we ran into that exact question at Majestic Yoga Studio and the footage answered it for us.

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